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MUSIC VIDEO RESEARCH: Star Image Presentation on Ed Sheeran

PR Companies

PR agencies, as opposed to advertising agencies, promote companies or individuals via editorial coverage.  This is known as “earned” or “free” media — stories appearing on websites, newspapers, magazines and TV programs — as compared to “paid media” or advertisements. PR agencies and advertising agencies share the same goals:  promoting clients and making them seem as successful, honest, important, exciting or relevant as possible. 

 

he Public Relations Society of America defines the management of public relations as:

 

  • “Anticipating, analyzing and interpreting public opinion, attitudes and issues that might impact, for good or ill, the operations and plans of the organization.

  • Counseling management at all levels in the organization with regard to policy decisions, courses of action and communication, taking into account their public ramifications and the organization’s social or citizenship responsibilities.

  • Researching, conducting and evaluating, on a continuing basis, programs of action and communication to achieve the informed public understanding necessary to the success of an organization’s aims. These may include marketing; financial; fund raising; employee, community or government relations; and other programs.

  • Planning and implementing the organization’s efforts to influence or change public policy. Setting objectives, planning, budgeting, recruiting and training staff, developing facilities — in short, managing the resources needed to perform all of the above.”

 

The tactics include some or all of the following:

 

 

  • Write and distribute press releases

  • Speech writing

  • Write pitches (less formal than press releases) about a firm and send them directly to journalists

  • Create and execute special events designed for public outreach and media relations

  • Conduct market research on the firm or the firm’s messaging

  • Expansion of business contacts via personal networking or attendance and sponsoring at events

  • Copy writing and blogging for the web (internal or external sites)

  • Crisis public relations strategies

  • Social media promotions and responses to negative opinions online

 

 

    

Firms and individuals should hire a public relations agency when they want to protect, enhance or build their reputations through the media.  A good agency or PR practitioner can analyze the organization, find the positive messages and translate those messages into positive media stories.  When the news is bad, an agency can formulate the best response and mitigate the damage.

 

 

Effective publicists have great relationships with many different journalists in many different industries.  Many PR pros are former journalists, so they know the best ways to pitch a story and to reach editors and reporters.  Since they are not employees of the firm that hires them, they can give an honest, outsider view of the firm and the potential for what story ideas will work.

The relationship between client and agency should not be passive.  Clients should inform the agency what messages they would like to promote and make suggestions on where they would like to appear.  Very few stories make the front page of the New York Times, but with a media atmosphere that includes blogs, websites, TV shows, magazines and other media that evolves every day, a good PR agency will help clients increase their visibility via increased recognition on as many respected editorial platforms as possible.  Long term, public relations can be an investment in the brand and the visibility of a firm or individual that results in increased recognition and reputation.

Examples of PR Agencies

Weber Shandwick

Type: Subsidiary

Formed: 2001, through merging the Weber Group (1987), Shandwick International (1974), and BSMG (2001).

Offices: 73 Worldwide

Revenue: $500 million

Key People: Andrew Polanksy (CEO),Jack Leslie (Chairman), Gail Heimann (President)

Parent Company: Interpublic Group

 

Notable Campaigns: Links with Coca-Cola and Cigna (insurance company) (Before Sep 11th)

Created Social Media Crisis Simulator called FireBell (2010)

 Hired by Microsoft to provide support for non-consumer PR in the EMEA region for products like Windows Client and Microsoft Dynamics. (2008)

 Contracted to run a $3.1 million campaign to raise awareness for state healthcare insurance exchanges mandated by the Affordable Care Act by the Centers for Medicare and Medicaid Services (2012)

 

 

Outpost Media

Type: Main

Formed: 2005

Key People : Mel Ruben (Managing Director), Sarah Parker (Radio Plugger), Marietta Longley (Accounting Manager), Federica Furlotti (Online PR Consultant), Sam Wilson (Publishing and Distribution Account Manager) and David Silverman (Founder)

Notes: Has sister companies (Outpost Media, Distribution and Publishing)

Notable Clients: Artic Monkeys, Snow Patrol, Jazzy Jeff,Warner Music Group, Fiat,Sony, O2, Ministry of Sound,Calvin Klein and Coca Cola.

Notable Campaigns:  Generating £1m of coverage for the groundbreaking collaboration between Fiat and music legends Faithless (2012)

Promoting album 'Glass Swords' by Rustie for Warp (Early 2012 was peak)

Supported and promoted Ministry of Sound album by David Rodigan (2014)

 

Task: Create a PR campaign for an artist of your choice.

My Artist: Daft Punk

Type of Campaign: Collaboration

Company Collaborating: Samsung

Product: Samsung High capacity SSDs

 

-The 850 EVO and the 850 Pro have just been announced.

-  Daft Punk' entire image is based off of the sci-fi and technology theme

- Daft Punk have done adverts for Adidas, Carjam TVs, Audi and Gap.

 

The Advert:

It could be both billboard advertisments and TV advertisments featuring the two members of the band and one of their well-known songs (Technologic maybe, as it fits with the theme). Promotes both them and Samsung as Samsung feature one of the world`s most recognizable pop culture groups in this campaign and Daft Punk support one of the world`s most well known companies in the campaign.

 

 Research: Music Industry and Recording Labels

Justin Timberlake

 

Signed to: Jive, Zomba and RCA (Solo)

Legacy, Sony (NSYNC)

 

Jive

-American record label (and publishing/management company) under the RCA Music group (owned by Sony Music Entertainment)

- New York City HQ

- Sponsors a number of successful hip-hop artists and in the 90s, teen pop and boy bands

- Operated as an independently managed label until 2003, when Bertelsmann Music Group (BMG) acquired the remainder of its parent company Zomba for US $2.74 billion, which at the time was the largest-ever acquisition of an independent label with major-label distribution.

-Jive's best-selling artists worldwide were the Backstreet Boys and Britney Spears.

Zomba records was originally an English company owned by South Africans

Opened office in US in 1980s

Jive focused on release of British dance and pop music such as Q-Feel, A Flock Of Seagulls and Tight Fit.

US connections with Arista records at first to help Arista find rock acts but eventually broke away

Made a deal with RCA records in late 80s

Signed acts like DJ Jazzy Jeff and Schooly D

By the early 1990s, Jive had become a premiere label in the genre of hip-hop with the success of D-Nice, E-40, A Tribe Called Quest, KRS-One/Boogie Down Productions, R. Kelly and temporarily Aaliyah.

Early 90s brought Britney Spears, Backstreet Boys and NSYNC

Huge success

CEO left Jive in 2011 to work in Universal Music

Reorganized company split into restructured Epic Records whilst others stayed

Jay Z tried to outbid Jive for Block Starz music

Jive, Arista and J records all shut down and are reshuffled into RCA Records

 

Zomba structure

 

Calder's private investment group Summer Shore NV controlled the Zomba group.

The company began as Zomba Management and Publishers as early as 1975. They expanded to the US, first with a publishing sector in 1978, then a records division in 1981 while the management and publishing divisions became separate companies. Also sometime during that period, they started a production division initially called Zomba Productions Ltd., which would become Zomba Recording Corporation. From a legal standpoint, Zomba's holdings are divided into their music publishing business (Zomba Music Holdings BV) and music recording business (Zomba Record Holdings BV). The former holds only music publishing (i.e., written music) rights, while the latter holds all of the recorded music rights, along with some publishing groups acquired over the years. In addition to those two, there is another holding company called Zomba Entertainment Holdings BV

 

 

Zomba labels were operated under the Zomba Label Group from approximately 2004 until 2009

Zomba's first, and flagship label is Jive, formed in 1981.

From 1981 until 1987, Zomba labels were distributed by Arista.

 

Zomba signed a deal with RCA for distribution that lasted until 1991. The end of the deal coincided with BMG purchasing a large share of RCA and a deal with BMG was signed for distribution. BMG remained the North American distributor for Zomba until after the purchase in 2002, however, other regions had various other distributors over time. EMI became an important distributor for Zomba in Europe via Virgin Records, but distribution details are listed below in the Regional Branches section. Zomba only controls one small vinyl pressing plant, therefore, most of their manufacturing has been outsourced to companies such as Sonopress (BMG affiliated), Sony and Technicolor

 

In 1996, Zomba acquired 75% of UK distributor and label group Pinnacle, 80% of the Rough Trade label and distribution in the Germany/Switzerland/Austria (GSA) region, and 100% of Rough Trade Benelux. Effective 8 July 1999 Rough Trade Records was renamed Zomba Records GmbH and the Rough Trade sales and distribution arm was renamed Zomba Distribution, operating as a division of Zomba Records GmbH.

 

 

 

 

Task: Create Mock-up of an original Album Cover

My Album cover was based off of the album covers of many different artists, such as Justin Timberlake and Micheal Buble. It is a collection of greatest hits because it`s easier to tell it`s an album cover that way.

 

Overall, my verdict of the final product is that it is fairly close to the image that I was seeking to replicate of these type of artist`s albums, but as it is made in Photoshop, it`s still very rough around the edges and I admit that some of the background is blurry for the images were all taken from common sources rather than taken myself. The cover could in my opinion be arranged differently also, most likely moving around some of the logos so that they look better.

Theory Presentation

Stuart Hall: Audience Positioning and Dominant/Preferred, Negotiated and Oppositional Readings

 

-Hall= Active audience theorist

- Meaning is encoded into text by producers and decoded by the audience

- Decoding relies on social demographics and the audience’s own experiences, which are different for everyone

- According to Hall, all texts are polysemic (which means they have multiple meanings and can be read in different ways depending on: Identity, cultural knowledge and opinions

- Texts read in three different ways: Preferred (where the audience respond to the product the way the producers expect them to), Negotiated (where the audience partly agrees with the message or product but may disagree with some elements) and Oppositional (In which the audience is completely disagreeing with the product/message)

 

Case study: Miley Cyrus-Wrecking Ball

 

Preferred reading- Miley is no longer young and innocent like her previous Disney role. She would be seen as sexy and become known as an extreme artist, producing shocking music videos.

 

Negotiated reading- Feminists are disgusted by Miley’s behaviour and the video itself and are confused by the dissonance between the lyrics and the video, thinking the video is to exploit her. However, It’s Miley’s choice to remove her clothing and therefore she is empowering herself by acting like that.

 

Oppositional reading- Miley is ruining her own image and her behaviour is disgusting and/or unattractive.

 

 

Richard Dyer: Stereotypes legitimise inequality

 

-Stereotypes are negative

- The complexity and variety of a group is reduced to a few characteristics

- An exaggerated version of these characteristics is applied to everyone in the group as if they are an essential element of all the members of the social group

- These characteristics are represented in media through Media Language

- Dyer says stereotypes are always about power- those wth power stereotype those with less power.

- Minor case studies: Gay men, non-white racial groups, the working class and women in society

- Harder to point out media stereotypes of white, middle class, heterosexual men

 

 

David Buckingham; Representation and fragmented identity

 

  • Modern society is diverse and mobile, the contemporary world is saturated by various kinds of Media

  • Media has become significantly more diverse, more complex and more ‘interactive’

  • Identity no longer a birthright, they are much more diverse and fluid.

 

Case study: Fingersmith

 

The main character identifies as an Englishwoman, A woman, gay, white and an upper-class lady. These are her identities.

 

 

Stanley Cohen- Moral panics

 

  • Media and often those in a position of political power define a condition or group as a threat to societal values and interests..

  • Screaming media headlines

  • Leads to groups being marginalised and vilified

  • Moral panics identify the very fault lines of power in society

 

Case Study:

From the 70s until 1984, the release of video nasties, like Driller Killer or Cannibal Holocaust caused moral panics as they often contained taboo material, leading to several acts to regulate them, even raids on video stores by the police in order to get rid of them. The media demonized these films greatly. In recent years, quite a few movies received attention for very controversial scenes or outright controversy, like the entire premise of 50 Shades of Grey or the rape scene in Irreversible (which has become quite infamous)

 

 

Tajfel and Turner: In groups, Out groups and Intergroup Discrimination

  • Groups that people belonged to (Social classes, sports teams etc.) were an important source of pride and self esteem, they give us a sense of Social identity and belonging in the social world.

  • Our group is the in group compared to all the other groups known as the out groups

  • Members off the in group will seek to find negative aspects of the out group to further boost their self image

  • Three stages: Categorisation (the dividing), Identification (aligning ourselves with a group) and comparison (maintaining group self esteem by comparing yourself favourably against the out groups.

 

Case study: All About that Bass by Meghan Trainor

Fat vs. Skinny

Trainor aligned with Fat in-group

Fat people represented as useful, sexy, happy, free, dancing, singing with lyrics proclaiming superiority.

Skinny people represented as useless, compared to Barbie dolls, called ‘skinny bitches’ and accused of using lots of silicone.

 

 

Dick Hebdige: Youth subcultures

  • Youth subcultures challenge the dominant ideologies within society

  • Similarities between disparate groups

  • Subcultures formed due to resistance of the ‘norm’, which is fearful or anxious about the subcultures existence

  • Subcultures often have power but only until the subculture is commodified

 

Example: Skinheads within This Is England are a subculture. They challenge the life of the middle class under Margaret Thatcher. They form due to a desire to be accepted into society. People fear them because they are known for being violent and racist. Skinhead culture is less common but has been partially accepted into society.

 

David Gauntlett: Complicated Identity

 

By thinking about their own identity, attitudes, behaviour and lifestyle in relation to those of media figures (maybe role models, maybe not), individuals make decisions and judgements abut the way they live personally. It’s the reason why role model remains an important concept. Role models serve as navigation points as individuals steer their own personal routes through life (through the general direction they go, however, will often be heavily shaped by family, friends, teachers, colleagues and others encountered in daily life)

 

Web 2.0 allows us to create our own unique identity that does not necessarily follow traditional understandings of some representations.

 

Hip Hop Artists: Comparing Biz Markie's Just A Friend (1989) and Nicki Minaj's Anaconda (2015)

Both Nicki Minaj and Biz Markie have similarities between them as artists. Both are much wider known for their more ridiculous parody videos and songs. Both are black. Both are quite young and attractive at the time the videos were released and both of them are very household names. The differences between them are that Nicki is a successful female Hip Hop artist (which was not very common in Markie's time and that Minaj had and has gone on to create multiple music hits over the years whilst Just A Friend is widely renowned as a "one-hit-wonder" and Biz has faded from the industry.

Common Conventions of Hip Hop artists and how Markie and Minaj adhere to/challenge them.

 

1.Has the presence of women beside them. The women is often meaningless and/or irrelevant

Just A Friend- Biz Markie in this video actually challenges this common convention in Hip Hop. Biz is seen with no other women that look sexually attractive or dress provocatively apart from his 'girlfriend' in the video, and she has a purpose because the song relates to his experiences with her. Most of the other people in the music video are male (his friends, his classmates and even the dancers) and the only other women shown are presented rather humbly and conservatively. He is not showing off his status like many other male hip Hop artists do these days.

 

Anaconda- Nicki Minaj in this video adheres to yet also challenges the convention. She is not only provocatively dressed but presented very sexually. However, she is the artist, so her part in the music video is the most important part of all the other participants. The video is populated with noone else but scantily clad women in provocative poses and positions, doing very sexy dances. There are no males in this video part from Drake, another Hip Hop artist, and his only purpose is to receive a psuedo-lapdance from one of the scantily clad women. This shows Nicki Minaj's status to us as viewers, because we can see that she is obviously attractive or popular if she has such a large group of women around her as that in hip Hop usually tells us how good/attractive/popular a male Hip Hop artist is.

 

2. Has a crowd/individuals dancing in the background. 

Just A Friend- In this video, there are quite a few people dancing to the music Markie is making. When he passes by the dancers, they dance to the beat of the song behind and in front of Biz. Also, when he passes by his classmates, they all dance along to what he's singing to. What this shows in Hip Hop is that the artist has some credibility amongst other people, that other people listen to what he says and like his music/think it's good. By having people dance in the video, Markie is showing us that his song is good and that people agree with the what he is singing about.

 

Anaconda- In Minaj's video, there are dancers around her whilst she sings the song. Unlike Markie, these are all professional dancers and all attractive looking women. Her dancers are always dancing to the beat but also over the short instrumental interludes. As said above , people dancing in your Hip hop music video means that you are much more credible and need to be listened to.This also gives Minaj credibility but because all of her dancers are attractive young women doing sexy dancing, certain audience demographics are more likely to view this as credible then others.

 

3. Clothing is often branded sports clothing.

Just A Friend- In Just A Friend , Markie wears quite a few articles of sports clothing. When standing with the dancers in the park, he takes off his sweater to reveal an Everlast jersey. In the above image, he is wearing something branded by Nike. This shows that he has a large amount of physical strength as well as presence.

 

Anaconda- In Anaconda, Nicki does not wear any branded sports clothing (or much clothing at all,really) . However, the video shows her possessing physical strength by having her in exercise gear and perfrorming very gymnastic feats.

 

4. Groups in Music Videos.

Just A Friend- In Just A Friend, Biz Markie is always surrounded by quite a number of men. A lot of his friends that are shown are male and there are only a few women in the video.

 

 

 

 

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